SJGS

SOUTHERN JAZZ GUITAR SOCIETY

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Dedicated to fostering the art and craft of the jazz guitar

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Sheryl Bailey at the SJGS

We are excited to announce that Sheryl Bailey, the renowned and highly regarded American guitarist, will be performing at the Southern Jazz Guitar Society on Sunday, June 23rd. This is a rare opportunity to see her outside the USA or London so be sure to put the date in your diary. The concert will start at 8:00pm and the location is the Lantern Theatre at Mountbatten School in Romsey. See the Contact Us page for directions. As usual, there will be a licensed bar.

 

Sheryl will also give a clinic at 3.30. If you are interested in coming please use the contact page to get in touch with us.

   

Ken's Blog

By kenlawson, Mar 21 2018 06:28PM

My Experiences with Henry Johnsons "Jazz Expressions" TrueFire course.


In this episode of the blog I have been continuing with my studies of the G major and minor inversions, their scales and arpeggios. I have also been trying to come up with my own lines and licks, whilst studying some of Mr Johnsons lines. I am still convinced that this slow methodical way studying this material will pay of in the end.


I feel I am beginning to see these areas of activity and know the relevant notes I could use when I see a specific chord on the chart, so this is encouraging.


Also, I would like to share an insight that I have gained by watching a video lesson later in the course. The lesson is titled "Phrases Not Scales" and in it Mr Johnson explains and demonstrates how to think in phrases when improvising. The point that caught my attention was this, your lines will continue to sound like scales or arpeggios until you start to think in terms of speaking a phrase or sentance. A sentance or phrase to be understood needs a begining, a middle and an ending. So it seems to me from viewing Mr Johnson's examples that I need to use the choice of notes, rhythmic variation and other melodic devises to crreate each part of the phrase. It also follows that when putting a series of phrases together to create a solo they need to done in the same manner as we tell a story: with a series of sentences and paragraphs, the solo needs to have a beginning, a middle and an end.


I have recorded a short video demonstrating the difference between playing notes from a scale and making the same notes into a phrase.


https://www.youtube.com/watch?v=ZhTdRYMROV4&t=2s


There are earthquakes happening in my jazz guitar studies right now; I will explain in my next post.


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Louis Stewart Jul 2014 _ 4 edited